Here is a short biographical sketch of Adorno’s life from the Stanford Encyclopedia for Philosophy:
“Born on September 11, 1903 as Theodor Ludwig Wiesengrund, Adorno lived in Frankfurt am Main for the first three decades of his life and the last two. He was the only son of a wealthy wine merchant of assimilated Jewish background and an accomplished musician of Italian Catholic descent. Adorno studied philosophy with the neo-Kantian Hans Cornelius and music composition with Alban Berg. He completed his Habilitationsschrift on Kierkegaard’s aesthetics in 1931, under the supervision of the Christian socialist Paul Tillich. After just two years as a university instructor (Privatdozent), he was expelled by the Nazis, along with other professors of Jewish heritage or on the political left. A few years later he turned his father’s Jewish surname into a middle initial and adopted “Adorno,” the maternal surname by which he is best known.
Adorno left Germany in the spring of 1934. During the Nazi era he resided in Oxford, New York City, and southern California. There he wrote several books for which he later became famous, including Dialectic of Enlightenment (with Max Horkheimer), Philosophy of Modern Music, The Authoritarian Personality (a collaborative project), and Minima Moralia. From these years come his provocative critiques of popular culture and the culture industry. Returning to Frankfurt in 1949 to take up a position in the philosophy department, Adorno quickly established himself as a leading German intellectual and a central figure in the Institute of Social Research. Founded as a free-standing center for Marxist scholarship in 1923, the Institute had been led by Max Horkheimer since 1930. It provided the hub to what has come to be known as the Frankfurt School. Adorno became the Institute’s director in 1958. From the 1950s stem In Search of Wagner, Adorno’s ideology-critique of the Nazi’s favorite composer; Prisms, a collection of social and cultural studies; Against Epistemology, an anti-foundationalist critique of Husserlian phenomenology; and the first volume of Notes to Literature, a collection of essays in literary criticism.
Conflict and consolidation marked the last decade of Adorno’s life. A leading figure in the “positivism dispute” in German sociology, Adorno was a key player in debates about restructuring German universities and a lightning rod for both student activists and their right-wing critics. These controversies did not prevent him from publishing numerous volumes of music criticism, two more volumes of Notes to Literature, books on Hegel and on existential philosophy, and collected essays in sociology and in aesthetics. Negative Dialectics, Adorno’s magnum opus on epistemology and metaphysics, appeared in 1966. Aesthetic Theory, the other magnum opus on which he had worked throughout the 1960s, appeared posthumously in 1970. He died unexpectedly of a heart attack on August 6, 1969, one month shy of his sixty-sixth birthday.”